{"id":1212,"date":"2021-07-20T18:56:03","date_gmt":"2021-07-20T16:56:03","guid":{"rendered":"https:\/\/stiftadmont.at\/?page_id=1212"},"modified":"2026-03-17T12:58:03","modified_gmt":"2026-03-17T10:58:03","slug":"musee-dart-contemporain","status":"publish","type":"page","link":"https:\/\/stiftadmont.at\/fr\/museum\/museum-gegenwartskunst\/","title":{"rendered":"Mus\u00e9e d'art contemporain"},"content":{"rendered":"<section class=\"firepress-section firepress-headline firepress-headline--center\">\n\t<div class=\"firepress-headline__container\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"firepress-headline__small text--40 text-medium line line--gold line-above line-middle\">L'art contemporain au mus\u00e9e de l'abbaye d'Admont<\/h2>\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"firepress-headline__subheading text-center text-gold text--20 text-medium text--uppercase\">Un dialogue entre tradition et innovation<\/p>\n\t\t\t\t\t\n\t\t<div class=\"firepress-spacer firepress-spacer--40\"><\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-hundred\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\">L'art actuel dans les vieux murs - Expositions temporaires 2026 : Hannes Schwarz et Josef Pillhofer<\/h5>\n<p class=\"paragraph-m\">\u00a0<\/p>\n<p>Depuis l'ouverture du grand mus\u00e9e en 2003, des expositions temporaires ont lieu chaque ann\u00e9e au deuxi\u00e8me \u00e9tage du mus\u00e9e. En 2026, l'\u0153uvre de deux artistes autrichiens majeurs du 20e si\u00e8cle sera pr\u00e9sent\u00e9e. \u00c0 l'occasion du centenaire de la naissance du peintre Hannes Schwarz (1926-2014), une exposition g\u00e9n\u00e9rale sera consacr\u00e9e \u00e0 son \u0153uvre. Parall\u00e8lement, une exposition invite \u00e0 d\u00e9couvrir le sculpteur Josef Pillhofer (1921-2010). Ainsi, les \u0153uvres de deux protagonistes centraux de l'art styrien de l'apr\u00e8s-guerre entrent en discussion : des dessins, des peintures et des graphiques de Hannes Schwarz sont expos\u00e9s, tandis que Josef Pillhofer pr\u00e9sente des travaux de sculpture, des dessins, des collages ainsi qu'une tapisserie rarement expos\u00e9e jusqu'\u00e0 pr\u00e9sent.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><strong>L'inauguration des deux expositions aura lieu le 19 mars 2026, \u00e0 partir de 17h00, au mus\u00e9e de l'abbaye d'Admont.<\/strong><\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content firepress-section--background firepress-section--background-beige\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\n\t\t\t\t\t\t\t<a href=\"https:\/\/vz-8f2f1d5e-073.b-cdn.net\/302aad2d-e97a-4ea1-b93a-a6f6969f604b\/play_1080p.mp4\" class=\"firepress-content__video firepress-content__media\" data-firepress-lightbox>\n\t\t\t\t\t<img width=\"1024\" height=\"687\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-1024x687.png\" class=\"firepress-content__image\" alt=\"Noir bless\u00e9\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-1024x687.png 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-300x201.png 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-768x515.png 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-1536x1031.png 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt-18x12.png 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Schwarz_verletzt.png 1894w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\t\t\t\t\t<span class=\"overlay-dark\"><\/span>\n\t\t\t\t\t<span class=\"content-overlay\"><\/span>\n\t\t\t\t\t<div class=\"firepress-content__plaque\">\n\t\t\t\t\t\t<div class=\"firepress-content__plaque-inner\">\n\t\t\t\t\t\t\t<span><i class=\"fas fa-play firepress-content__icon\"><\/i><\/span>\n\t\t\t\t\t\t\t<p class=\"paragraph-m\">Jouer<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\"><\/span>Bless\u00e9 . Hannes Schwarz dans la collection de l'abbaye b\u00e9n\u00e9dictine d'Admont<\/h5>\n<p class=\"paragraph-m\">\u00a0<\/p>\n<p>L'exposition \u201eVerletzt\u201c offre un aper\u00e7u complet de l'\u0153uvre complexe de Hannes Schwarz, marqu\u00e9e par des questions existentielles et des changements stylistiques. Apr\u00e8s les premiers travaux abstraits des ann\u00e9es 1950 et les techniques d'impression exp\u00e9rimentales \u00e0 partir de 1959, l'accent est mis sur la figure humaine vuln\u00e9rable et d\u00e9form\u00e9e \u00e0 partir du milieu des ann\u00e9es 1960. \u00c0 partir de 1975 environ, la s\u00e9rie \u201eVerletzt\u201c marque un tournant vers des espaces picturaux r\u00e9duits, paysagers, dans lesquels l'exposition de l'homme est th\u00e9matis\u00e9e.<\/p>\n<p>\u00a0<\/p>\n<p><a class=\"admont-button admont-button--secondary\" href=\"https:\/\/stiftadmont.at\/fr\/projet-commemoratif-gegenwelten\/\">Projet de comm\u00e9moration Gegenwelten - Hannes Schwarz (1926-2014)<\/a><\/p>\n<p>\u00a0<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"810\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann-1024x810.png\" class=\"firepress-content__image\" alt=\"Pillhofer homme couch\u00e9\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann-1024x810.png 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann-300x237.png 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann-768x608.png 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann-15x12.png 15w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Pillhofer_liegender-Mann.png 1198w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\">Josef Pillhofer. Entre abstraction et figuration<\/h5>\n<p class=\"paragraph-m\">\u00a0<\/p>\n<p>Josef Pillhofer compte parmi les sculpteurs autrichiens les plus importants de la deuxi\u00e8me moiti\u00e9 du 20e si\u00e8cle. Apr\u00e8s des \u00e9tudes \u00e0 Graz et \u00e0 Vienne et une p\u00e9riode marquante \u00e0 Paris, il a d\u00e9velopp\u00e9 un langage formel autonome entre abstraction et figuration. Son \u0153uvre, qui s'int\u00e9resse de pr\u00e8s \u00e0 l'espace, \u00e0 la structure et \u00e0 la figure humaine, est pr\u00e9sent\u00e9e \u00e0 Admont \u00e0 l'aide d'une s\u00e9lection d'\u0153uvres pr\u00eat\u00e9es par des particuliers.\u00a0<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content firepress-section--background firepress-section--background-beige\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\">L'art contemporain \u00e0 l'abbaye d'Admont - tradition et innovation en dialogue<\/h5>\n<p class=\"paragraph-m\">\u00a0<\/p>\n<p>La constitution d'une collection d'art actuel \u00e0 l'abbaye d'Admont a d\u00e9but\u00e9 en 1997. Cette date \u00e9tait directement li\u00e9e \u00e0 la nouvelle conception du mus\u00e9e vieillissant, entreprise la m\u00eame ann\u00e9e. Apr\u00e8s cinq ans de travaux, il a rouvert ses portes en 2003. Le mus\u00e9e, am\u00e9nag\u00e9 selon les crit\u00e8res internationaux les plus modernes, s'\u00e9tend sur trois \u00e9tages et le grenier.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><a class=\"admont-button admont-button--secondary\" href=\"https:\/\/stiftadmont.at\/fr\/demo\/art-contemporain-au-stift-admont-tradition-et-innovation-en-dialogue\/\" target=\"_blank\" rel=\"noopener\">En savoir plus<\/a><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<h5 class=\"heading-m line line-above line--gold\">La diversit\u00e9 de l'art contemporain<\/h5>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">La collection comprend \u00e9galement des groupes d'\u0153uvres plus importants d'artistes s\u00e9lectionn\u00e9s, comme la \"Fondation Hannes Schwarz\", qui a \u00e9t\u00e9 transf\u00e9r\u00e9e \u00e0 l'abbaye en 2002. Un groupe important se compose \u00e9galement d'\u0153uvres de repr\u00e9sentants de la \"nouvelle peinture\" des ann\u00e9es 1980, qui ont \u00e9volu\u00e9 dans les directions les plus diverses. Gr\u00e2ce \u00e0 des achats permanents, des pr\u00eats permanents et des donations, la collection est en train de se constituer de mani\u00e8re passionnante et dynamique.<\/p>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">Outre les \u0153uvres d'art d'artistes confirm\u00e9s qui se sont fait un nom non seulement en Autriche, mais aussi \u00e0 l'\u00e9chelle internationale, nous achetons \u00e9galement r\u00e9guli\u00e8rement des \u0153uvres d'artistes jeunes ou moins connus, mais dont le travail est convaincant. Dans la mesure du possible, la fondation s'efforce de soutenir les possibilit\u00e9s de d\u00e9veloppement des jeunes artistes qui n'ont pas encore atteint la maturit\u00e9.<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Mus\u00e9e des enfants c Thomas Sattler 32 www\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-32_www-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\">Collection d'art contemporain depuis 1997<\/h5>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">Depuis 1997, l'abbaye d'Admont constitue en permanence une collection d'art contemporain. Cette collection comprend actuellement plus de 1500 \u0153uvres individuelles de plus de 160 artistes n\u00e9s ou travaillant en Autriche, principalement \u00e0 partir du milieu du 20e si\u00e8cle.<\/p>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">Elle se compose de deux parties : des achats d'ateliers ou de galeries, ainsi que des commandes d'art MADE FOR ADMONT. Ces derni\u00e8res ann\u00e9es, un certain nombre d'artistes ont cr\u00e9\u00e9 des \u0153uvres et des groupes d'\u0153uvres importants en r\u00e9ponse \u00e0 l'invitation de l'abbaye.<\/p>\n<p><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\"><\/span><\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><h5 class=\"heading-m line line-above line--gold\">Le lien entre les aveugles et les voyants<\/h5>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">La collection sp\u00e9ciale \"C\u00d4T\u00c9 DE LA VUE - L'art relie les aveugles et les voyants\" est une particularit\u00e9 mondiale.<\/p>\n<p>\u00a0<\/p>\n<p class=\"paragraph-m\">Dans ces \u0153uvres d'art cr\u00e9\u00e9es depuis 2002 sp\u00e9cialement pour la collection d'Admont, la perception par les yeux n'est pas au premier plan. Avec une exigence de qualit\u00e9 maximale, elles sont con\u00e7ues pour les personnes malvoyantes, aveugles et voyantes et initient un dialogue.<\/p>\n<p>\u00a0<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\t<section class=\"firepress-section firepress-image-slider\"\n\t\tdata-firepress-image-slider\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-image-slider__inner\">\n\t\t\t<div class=\"firepress-image-slider__viewport\">\n\t\t\t\t<div class=\"firepress-image-slider__track\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-1920x1281.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"513\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-768x513.jpg\" class=\"firepress-image-slider__image\" alt=\"MZ20 Localisations 197 1 scaled\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-768x513.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-1536x1025.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-2048x1367.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-197-1-1920x1281.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Mus\u00e9e des enfants c Thomas Sattler 33 www\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Kinder_Museum_c-Thomas-Sattler-33_www-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-195-1920x1357.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"543\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/MZ20-Verortungen-195-768x543.jpg\" class=\"firepress-image-slider__image\" alt=\"MZ20 Localisations 195 scaled\" loading=\"lazy\" decoding=\"async\" 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