{"id":24204,"date":"2023-12-20T11:21:38","date_gmt":"2023-12-20T09:21:38","guid":{"rendered":"https:\/\/stiftadmont.at\/?page_id=24204"},"modified":"2026-02-02T11:49:23","modified_gmt":"2026-02-02T09:49:23","slug":"lart-actuel-dans-les-vieux-murs","status":"publish","type":"page","link":"https:\/\/stiftadmont.at\/fr\/aktuelle-ausstellungen\/aktuelle-kunst-in-alten-mauern\/","title":{"rendered":"L'art actuel dans les vieux murs"},"content":{"rendered":"<section class=\"firepress-section firepress-headline firepress-headline--center\">\n\t<div class=\"firepress-headline__container\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"firepress-headline__small text--40 text-medium line line--gold line-above line-middle\">Aspects de la collection d'art contemporain<\/h2>\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"firepress-headline__subheading text-center text-gold text--20 text-medium text--uppercase\">Cette exposition temporaire a offert un aper\u00e7u repr\u00e9sentatif de la plus r\u00e9cente collection de l'abbaye d'Admont. Elle est consacr\u00e9e \u00e0 l'art contemporain et est en cours de constitution depuis 1997. Actuellement, elle se compose de plus de 1000 \u0153uvres d'environ 180 artistes autrichiens n\u00e9s pour la plupart dans la deuxi\u00e8me moiti\u00e9 du 20e si\u00e8cle.<\/p>\n\t\t\t\t\t\n\t\t<div class=\"firepress-spacer firepress-spacer--40\"><\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p class=\"paragraph-m\">Depuis son ouverture en 2003, le mus\u00e9e de l'abbaye d'Admont, dans sa forme actuelle, est connu pour le dialogue entre l'art ancien et l'art actuel. Les diff\u00e9rents d\u00e9partements du mus\u00e9e communiquent \u00e9galement entre eux. Repr\u00e9sentatif de ce dialogue, vous serez accueilli en entrant dans le mus\u00e9e d'art contemporain par une madone gothique : la Madone \u00e0 l'enfant de l'entourage de Jakob Kaschauer. La raison de cette surprise se r\u00e9v\u00e8le dans la derni\u00e8re salle de l'exposition - lisez la suite !<\/p>\n<p class=\"paragraph-m\">La premi\u00e8re partie de l'exposition est consacr\u00e9e \u00e0 la peinture autrichienne \u00e0 partir des ann\u00e9es 1980, qui trouve ses racines dans la \"Nouvelle peinture\" et la \"Nouvelle abstraction\" et qui a \u00e9volu\u00e9 dans diff\u00e9rentes directions. Ces \u0153uvres de Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Alfred Klinkan, Alois Mosbacher, Hubert Scheibl, Hubert Schmalix, Walter Vopava, Erwin Wurm et Otto Zitko, entre autres, constituent une base importante de la collection d'art contemporain d'Admont.<\/p>\n<p>\u00a0<\/p>\n<p>La deuxi\u00e8me salle s'inscrit dans la continuit\u00e9 du th\u00e8me \"Vie, mort, r\u00e9surrection\" de l'exposition du jubil\u00e9, pr\u00e9sent\u00e9e un \u00e9tage plus bas. L'\u0153uvre centrale est un symbole de la joie de vivre baroque : le \"d\u00eener de gala\" apparemment pr\u00e9cieux de G\u00f6tz Bury, compos\u00e9 uniquement de pi\u00e8ces trash.<\/p>\n<p>\u00a0<\/p>\n<p>Autour de ce dernier se trouvent des \u0153uvres d'art qui traitent de l'\u00e9ph\u00e9m\u00e8re et de la question de ce qui nous attend apr\u00e8s la mort. On y trouve trois \u0153uvres issues de s\u00e9ries MADE FOR ADMONT significatives pour la collection d'Admont et pour cette exposition : Parmi elles, un tableau de la s\u00e9rie r\u00e9cemment cr\u00e9\u00e9e par Nikola Irmer. Elle montre des pr\u00e9parations animales du mus\u00e9e d'histoire naturelle d'Admont, subtilement transpos\u00e9es dans le m\u00e9dium pictural. Il y a aussi une transformation en grand format de la sculpture de Josef Stammel \"La mort\" de la biblioth\u00e8que de l'abbaye d'Admont dans le monde visuel actuel de Michael Horsky. Et un travail photographique de la s\u00e9rie \"Admont\" de Lois Renner, compos\u00e9 comme un tableau ancien, dans lequel a \u00e9t\u00e9 int\u00e9gr\u00e9e, parmi d'autres \u0153uvres du Kunsthistorisches Museum, une croix de Stammel. La croix baroque originale du sculpteur de l'abbaye Josef Stammel est accroch\u00e9e juste \u00e0 c\u00f4t\u00e9.\u00a0<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Abbaye d&#039;Admont GWK Madonna Kaschauer \u00a9 Michael Braunsteiner 1\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" data-srcset=\"\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content firepress-section--background firepress-section--background-beige\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Stift Admont GWK Peter Unterthurner \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" data-srcset=\"\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p>On trouve des interpr\u00e9tations surprenantes du motif de la croix dans la croix en sucre flamb\u00e9e de Christian Eisenberger et dans la croix en Lego de Manfred Erjautz. Christoph Lingg aborde dans ses photographies le th\u00e8me de la destruction de l'environnement. La pr\u00e9paration d'un mouton de Deborah Sengl, qui porte un pull tricot\u00e9 avec sa propre laine, pr\u00eate \u00e0 sourire.<\/p>\n<p>La fili\u00e8re \"MADE FOR ADMONT\" a \u00e9t\u00e9 cr\u00e9\u00e9e en 2000 avec le premier \"Artist in Residence\", Lois Renner. Entre-temps, des centaines d'\u0153uvres MADE FOR ADMONT de plus de 70 artistes sont repr\u00e9sent\u00e9es dans la collection. Elles sont le r\u00e9sultat de processus de localisation sp\u00e9cifiques li\u00e9s \u00e0 la r\u00e9gion, \u00e0 l'abbaye d'Admont, au mus\u00e9e et \u00e0 ses contenus. Le m\u00e9dium de la photographie joue un r\u00f4le central.<\/p>\n<p>La troisi\u00e8me partie de l'exposition est consacr\u00e9e \u00e0 un repr\u00e9sentant important de cette branche de l'art de commande : l'\u0153uvre d'art multim\u00e9dia globale \"Zeitperlen\" (2005-2012) de Johannes Deutsch. L'\u00e9ventail de ses travaux comprend un triptyque Paradies, une exp\u00e9rience multim\u00e9dia d'op\u00e9ra et de musique avec l'Orchestre philharmonique de Vienne, des tableaux de storyboard ainsi qu'une partition. Tous ces travaux sont bas\u00e9s sur l'\u00e9tude des ornements baroques du b\u00e9n\u00e9dictin d'Admont, fr. Benno Haan.\u00a0<\/p>\n<p>La quatri\u00e8me salle est consacr\u00e9e \u00e0 la vision, \u00e0 la non-vision, \u00e0 la vision apparente. Une vid\u00e9o de Barbara Eisner-B. et des \u0153uvres d'Adi Brunner, Julie Hayward et Maria Hahnenkamp vous conduisent dans la particularit\u00e9 mondiale de la fili\u00e8re MADE FOR ADMONT : dans la collection sp\u00e9ciale \"JENSEITS DES SEHENS - Kunst verbindet Blinde und Sehende\". Dans ces \u0153uvres d'art cr\u00e9\u00e9es depuis 2002 pour la collection d'Admont, la perception visuelle n'est pas au premier plan. Avec une exigence de qualit\u00e9 maximale, elles sont con\u00e7ues pour les personnes malvoyantes, aveugles et voyantes et initient un dialogue.<\/p>\n<p>\u00a0<\/p>\n<p>Brigitte Kowanz nous confronte \u00e0 un texte traduit en signes morse lumineux. Heidrun Widmoser et Eva Schlegel floutent la r\u00e9alit\u00e9. Tobias Pils peint en monochrome. Ruth Schnell g\u00e9n\u00e8re des mots d\u00e9compos\u00e9s en points lumineux avec des b\u00e2tonnets de LED. Klaus Dieter Zimmer laisse ouverte la question de savoir si nous voyons un tableau ou une sculpture. Le Saint Beno\u00eet apparemment peint d'Uwe Bressnik s'av\u00e8re \u00eatre une cr\u00e9ation subtile, compos\u00e9e de petites croix, d'une petite sculpture du saint r\u00e9duite en poussi\u00e8re de m\u00e9tal. La photo de Judith Huemer semble color\u00e9e, joyeuse, mais cache un sujet s\u00e9rieux lorsqu'on y regarde de plus pr\u00e8s. Dieter Huber fait une affirmation picturale et montre le stylo tel qu'il n'est pas vraiment. Il ne faut pas croire tout ce que l'on voit, tout ce que l'on lit !<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p>La derni\u00e8re partie de l'exposition nous ram\u00e8ne \u00e0 la Vierge gothique de Kaschau. Elle ne veille pas seulement sur l'ensemble de l'exposition. Elle est surtout le th\u00e8me central de cette section consacr\u00e9e aux madones m\u00e9di\u00e9vales. L'artiste fran\u00e7ais Guillaume Bru\u00e8re nous pr\u00e9sente des variations rapides de la Madone d'Admont et de l'image des V\u00eapres d'Admont. Bru\u00e8re travaille rapidement et r\u00e9alise de nombreuses \u0153uvres en peu de temps avec un trait \u00e9nergique et vibrant. Il dessine dans les collections des mus\u00e9es. Il a cr\u00e9\u00e9 les deux motifs qui se trouvaient \u00e0 l'origine dans l'abbaye d'Admont avant les originaux qui s'y trouvaient dans l'Alte Galerie du Landesmuseum Joanneum \u00e0 Graz.<\/p>\n<p>Dans ses \"Madones des Alpes\", le Tyrolien du Sud Peter Unterthurner se penche sur des sculptures sacr\u00e9es du Moyen-\u00c2ge, une \u00e9poque o\u00f9 la vie \u00e9tait difficile et la foi profonde. La s\u00e9lection photographique de cette s\u00e9rie se recoupe en partie avec les motifs de Bru\u00e8re. Nous rencontrons la Madone de Kaschau dans sa version originale et dans des interpr\u00e9tations artistiques contemporaines. Les motifs des \"Madones des Alpes\" sont en outre transform\u00e9s par Unterthurner en un niveau multim\u00e9dia.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Dans une salle sp\u00e9ciale, les diff\u00e9rents axes de d\u00e9veloppement de deux artistes importants pour la sc\u00e8ne artistique styrienne de l'apr\u00e8s-guerre deviennent tangibles : Hannes Schwarz (1926-2014) et Gustav Zankl (*1929).<\/p>\n<p>D'autres \u0153uvres de la collection d'art contemporain sont int\u00e9gr\u00e9es dans le contexte d'autres secteurs du mus\u00e9e.<\/p>\n<p>\u00a0<\/p>\n<p>Avec des \u0153uvres de : <em>Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Guillaume Bru\u00e8re, Adi Brunner, Hannelore Demel-Lerchster, Gunter Damisch, Johannes Deutsch, Christian Eisenberger, Manfred Erjautz, Bruno Gironcoli, Maria Hahnenkamp, Julie Hayward, Michael Horsky, Dieter Huber, Lisa Huber, Judith Huemer, Nikola Irmer, Jakob Kaschauer, Alfred Klinkan, Sebastian K\u00f6pcke, Brigitte Kowanz, Christoph Lingg, Rudi Molacek, Alois Mosbacher, Tobias Pils, Lois Renner, Arnulf Rainer, Hubert Scheibl, Eva Schlegel, Hubert Schmalix, Ruth Schnell, Hannes Schwarz, Deborah Sengl, Josef Stammel, Norbert Trummer, Peter Unterthurner, Walter Vopava, Volker Weinhold, Franz West, Heidrun Widmoser, Erwin Wurm, Gustav Zankl, Klaus-Dieter Zimmer, Otto Zitko<\/em><\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Stift Admont GWK Gustav Zankl \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" data-srcset=\"\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\t<section class=\"firepress-section firepress-image-slider\"\n\t\tdata-firepress-image-slider\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-image-slider__inner\">\n\t\t\t<div class=\"firepress-image-slider__viewport\">\n\t\t\t\t<div class=\"firepress-image-slider__track\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Vue d&#039;angle de l&#039;abbaye d&#039;Admont GWK \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-srcset=\"\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide firepress-image-slider__slide--tall\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"1152\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7-768x1152.jpg\" class=\"firepress-image-slider__image\" alt=\"Stift Admont GWK Gustav Zankl \u00a9 Michael Braunsteiner7\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-srcset=\"\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Goetz-Bury-\u00a9-Michael-Braunsteiner-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Goetz-Bury-\u00a9-Michael-Braunsteiner-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Couvent d&#039;Admont GWK G\u00f6tz Bury \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-srcset=\"\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Hannes-Schwarz-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Hannes-Schwarz-Gustav-Zankl-\u00a9-Michael-Braunsteiner-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Stift Admont GWK Hannes Schwarz Gustav Zankl \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-srcset=\"\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"576\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-768x576.jpg\" class=\"firepress-image-slider__image\" alt=\"Art contemporain c Thomas Sattler\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-768x576.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-300x225.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-16x12.jpg 16w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-2-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-2-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Abbaye d&#039;Admont GWK Madonna Kaschauer \u00a9 Michael Braunsteiner 2\" loading=\"lazy\" decoding=\"async\" srcset=\"\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" data-srcset=\"\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div 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class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"576\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10-768x576.jpg\" class=\"firepress-image-slider__image\" alt=\"Art contemporain c Thomas Sattler\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10-768x576.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10-300x225.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10-16x12.jpg 16w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_10.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" 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https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_5.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide firepress-image-slider__slide--tall\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_21.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"600\" height=\"800\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_21.jpg\" class=\"firepress-image-slider__image\" alt=\"Art contemporain c Thomas Sattler\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_21.jpg 600w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_21-225x300.jpg 225w, 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