{"id":24204,"date":"2023-12-20T11:21:38","date_gmt":"2023-12-20T09:21:38","guid":{"rendered":"https:\/\/stiftadmont.at\/?page_id=24204"},"modified":"2026-02-02T11:49:23","modified_gmt":"2026-02-02T09:49:23","slug":"sztuka-wspolczesna-w-starych-murach","status":"publish","type":"page","link":"https:\/\/stiftadmont.at\/pl\/aktuelle-ausstellungen\/aktuelle-kunst-in-alten-mauern\/","title":{"rendered":"Sztuka wsp\u00f3\u0142czesna w starych murach"},"content":{"rendered":"<section class=\"firepress-section firepress-headline firepress-headline--center\">\n\t<div class=\"firepress-headline__container\">\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t<h2 class=\"firepress-headline__small text--40 text-medium line line--gold line-above line-middle\">Aspekty kolekcji sztuki wsp\u00f3\u0142czesnej<\/h2>\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<p class=\"firepress-headline__subheading text-center text-gold text--20 text-medium text--uppercase\">Ta specjalna wystawa oferowa\u0142a reprezentatywny wgl\u0105d w najnowsz\u0105 kolekcj\u0119 Opactwa Admont. Jest ona po\u015bwi\u0119cona sztuce wsp\u00f3\u0142czesnej i powstawa\u0142a od 1997 roku. Obecnie sk\u0142ada si\u0119 z ponad 1000 prac oko\u0142o 180 austriackich artyst\u00f3w, z kt\u00f3rych wi\u0119kszo\u015b\u0107 urodzi\u0142a si\u0119 w drugiej po\u0142owie XX wieku.<\/p>\n\t\t\t\t\t\n\t\t<div class=\"firepress-spacer firepress-spacer--40\"><\/div>\n\t<\/div>\n<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p class=\"paragraph-m\">Od momentu otwarcia w 2003 roku, Muzeum Opactwa Admont w swojej obecnej formie jest znane z dialogu mi\u0119dzy sztuk\u0105 dawn\u0105 i wsp\u00f3\u0142czesn\u0105. R\u00f3\u017cne dzia\u0142y muzeum r\u00f3wnie\u017c komunikuj\u0105 si\u0119 ze sob\u0105. Reprezentantem tego dialogu jest fakt, \u017ce po wej\u015bciu do Muzeum Sztuki Wsp\u00f3\u0142czesnej wita nas gotycka Madonna: Madonna z Dzieci\u0105tkiem Jakoba Kaschauera. Pow\u00f3d tej niespodzianki zostanie ujawniony w ostatniej sali wystawy - czytaj dalej!<\/p>\n<p class=\"paragraph-m\">Pierwsza cz\u0119\u015b\u0107 wystawy po\u015bwi\u0119cona jest malarstwu austriackiemu od lat 80. XX wieku, kt\u00f3re ma swoje korzenie w \"Nowym Malarstwie\" i \"Nowej Abstrakcji\" i rozwin\u0119\u0142o si\u0119 w r\u00f3\u017cnych kierunkach. Prace Siegfrieda Anzingera, Erwina Bohatscha, Herberta Brandla, Guntera Damischa, Alfreda Klinkana, Aloisa Mosbachera, Huberta Scheibla, Huberta Schmalixa, Waltera Vopavy, Erwina Wurma i Otto Zitko, mi\u0119dzy innymi, stanowi\u0105 wa\u017cny fundament Kolekcji Sztuki Wsp\u00f3\u0142czesnej Admont.<\/p>\n<p>\u00a0<\/p>\n<p>Drugi pok\u00f3j p\u0142ynnie \u0142\u0105czy si\u0119 z tematem \"\u017bycie, \u015bmier\u0107, zmartwychwstanie\" z wystawy jubileuszowej, kt\u00f3r\u0105 mo\u017cna zobaczy\u0107 pi\u0119tro ni\u017cej. Centralnym dzie\u0142em jest symbol barokowej rado\u015bci \u017cycia: pozornie wystawna \"Uroczysta kolacja\" G\u00f6tza Bury'ego, sk\u0142adaj\u0105ca si\u0119 wy\u0142\u0105cznie ze \u015bmieci.<\/p>\n<p>\u00a0<\/p>\n<p>Wok\u00f3\u0142 tego znajduj\u0105 si\u0119 dzie\u0142a sztuki, kt\u00f3re zajmuj\u0105 si\u0119 przemijaniem i pytaniem o to, co czeka nas po \u015bmierci. Tutaj spotykamy trzy prace z serii MADE FOR ADMONT, kt\u00f3re s\u0105 istotne dla kolekcji Admont i tej wystawy: Obejmuj\u0105 one obraz z ostatniej serii Nikoli Irmera. Przedstawia on okazy zwierz\u0105t z Muzeum Historii Naturalnej Admont subtelnie przeniesione do malarskiego medium. Ponadto wielkoformatowa transformacja rze\u017aby Josefa Stammela \"\u015amier\u0107\" z Biblioteki Opactwa Admont w dzisiejszy obrazowy \u015bwiat autorstwa Michaela Horsky'ego. A tak\u017ce praca fotograficzna z serii \"Admont\" autorstwa Lois Renner, skomponowana jak stary obraz, w kt\u00f3r\u0105 wkomponowano krzy\u017c Stammela wraz z innymi dzie\u0142ami z Kunsthistorisches Museum. Oryginalny barokowy krzy\u017c autorstwa klasztornego rze\u017abiarza Josefa Stammela wisi tu\u017c obok.\u00a0<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Opactwo Admont GWK Madonna Kaschauer \u00a9 Michael Braunsteiner 1\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-1-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content firepress-section--background firepress-section--background-beige\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Opactwo Admont GWK Peter Unterthurner \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Peter-Unterthurner-\u00a9-Michael-Braunsteiner-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p>Zaskakuj\u0105ce interpretacje motywu krzy\u017ca mo\u017cna znale\u017a\u0107 w flambirowanym cukrowym krzy\u017cu Christiana Eisenbergera i krzy\u017cu Lego Manfreda Erjautza. Christoph Lingg podejmuje w swoich fotografiach temat niszczenia \u015brodowiska. Przygotowanie przez Deborah Sengl owcy ubranej w sweter zrobiony z jej w\u0142asnej we\u0142ny wywo\u0142uje u\u015bmiech na naszych twarzach.<\/p>\n<p>Program \"MADE FOR ADMONT\" zosta\u0142 uruchomiony w 2000 roku wraz z pierwszym \"Artyst\u0105 Rezydentem\", Lois Renner. Obecnie w kolekcji znajduj\u0105 si\u0119 setki dzie\u0142 MADE FOR ADMONT autorstwa ponad 70 artyst\u00f3w. S\u0105 one wynikiem konkretnych proces\u00f3w lokalizacyjnych zwi\u0105zanych z regionem, opactwem Admont, muzeum i jego zawarto\u015bci\u0105. Centraln\u0105 rol\u0119 odgrywa medium fotografii.<\/p>\n<p>Trzeci obszar wystawy po\u015bwi\u0119cony jest wa\u017cnemu przedstawicielowi tego gatunku sztuki na zam\u00f3wienie: multimedialnemu Gesamtkunstwerk \"Zeitperlen\" (2005-2012) Johannesa Deutscha. Spektrum jego prac prezentowanych tutaj obejmuje rajski tryptyk, multimedialn\u0105 oper\u0119 i do\u015bwiadczenie muzyczne z Wiede\u0144sk\u0105 Orkiestr\u0105 Filharmoniczn\u0105, storyboardowe tableaux i partytur\u0119. Wszystkie prace opieraj\u0105 si\u0119 na badaniu barokowego splendoru benedykty\u0144skiego mnicha z Admont, o. Benno Haana.\u00a0<\/p>\n<p>Czwarta sala po\u015bwi\u0119cona jest widzeniu, niewidzeniu, pozornemu widzeniu. Wideo autorstwa Barbary Eisner-B. oraz prace Adi Brunner, Julie Hayward i Marii Hahnenkamp wprowadzaj\u0105 w \u015bwiatow\u0105 specjalno\u015b\u0107 wystawy MADE FOR ADMONT: kolekcj\u0119 specjaln\u0105 \"JENSEITS DES SEHENS - Kunst verbindet Blinde und Sehende\". Te dzie\u0142a sztuki, tworzone dla kolekcji Admont od 2002 roku, nie koncentruj\u0105 si\u0119 na percepcji wzrokowej. Zosta\u0142y zaprojektowane zgodnie z najwy\u017cszymi standardami jako\u015bci dla os\u00f3b niedowidz\u0105cych, niewidomych i widz\u0105cych i inicjuj\u0105 dialog.<\/p>\n<p>\u00a0<\/p>\n<p>Brigitte Kowanz konfrontuje nas z tekstem przet\u0142umaczonym na lekki alfabet Morse'a. Heidrun Widmoser i Eva Schlegel rozmywaj\u0105 rzeczywisto\u015b\u0107. Tobias Pils maluje monochromatycznie. Ruth Schnell generuje s\u0142owa rozbite na punkty \u015bwietlne za pomoc\u0105 pr\u0119t\u00f3w LED. Klaus Dieter Zimmer pozostawia otwarte pytanie, czy patrzymy na obraz czy rze\u017ab\u0119. Pozornie namalowany \u015awi\u0119ty Benedykt Uwe Bressnika okazuje si\u0119 by\u0107 subteln\u0105 kreacj\u0105 ma\u0142ej rze\u017aby \u015bwi\u0119tego z\u0142o\u017conej z male\u0144kich krzy\u017cyk\u00f3w zmielonych na metalowy py\u0142. Zdj\u0119cie Judith Huemer wydaje si\u0119 kolorowe i weso\u0142e, ale przy bli\u017cszym przyjrzeniu si\u0119 kryje powa\u017cny temat. Dieter Huber w malarski spos\u00f3b pokazuje pi\u00f3ro takim, jakie jest naprawd\u0119. Nie mo\u017cna wierzy\u0107 we wszystko, co si\u0119 widzi lub czyta!<\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\n\n\n\t<section class=\"firepress-section firepress-content\"\n\t\t\n\t\tdata-firepress-content\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-content__inner\">\n\t\t\t<div class=\"firepress-content__grid firepress-content__grid--one-half\">\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--one\">\n\n\t\t\t\t\t\t\t\t<div class=\"prose\"><p>Ostatni obszar wystawy prowadzi nas z powrotem do gotyckiej Madonny Kaschauer. Ona nie tylko czuwa nad ca\u0142\u0105 wystaw\u0105. Przede wszystkim jest centralnym tematem tego obszaru, kt\u00f3ry po\u015bwi\u0119cony jest \u015bredniowiecznym Madonnom. Na wystawie znajduj\u0105 si\u0119 wariacje francuskiego artysty Guillaume'a Bru\u00e8re'a na temat Madonny z Admont i obrazu Nieszpory z Admont. Bru\u00e8re pracuje szybko i tworzy wiele dzie\u0142 w bardzo kr\u00f3tkim czasie z energicznymi, \u017cywymi poci\u0105gni\u0119ciami. Czerpie z kolekcji muzealnych. Oba motywy, pierwotnie znajduj\u0105ce si\u0119 w opactwie Admont, stworzy\u0142 przed orygina\u0142ami znajduj\u0105cymi si\u0119 w Alte Galerie w Landesmuseum Joanneum w Grazu.<\/p>\n<p>W swoich \"Alpejskich Madonnach\" Peter Unterthurner z Po\u0142udniowego Tyrolu bada \u015bwi\u0119te rze\u017aby z czas\u00f3w \u015bredniowiecza, kiedy \u017cycie by\u0142o ci\u0119\u017ckie, a wiara g\u0142\u0119boka. Wyb\u00f3r fotografii z tej serii cz\u0119\u015bciowo pokrywa si\u0119 z motywami Bru\u00e8re'a. Spotykamy Madonn\u0119 Kaschauera w oryginale i we wsp\u00f3\u0142czesnych interpretacjach artystycznych. Unterthurner przekszta\u0142ca r\u00f3wnie\u017c motywy \"Alpejskiej Madonny\" na poziom multimedialny.\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>W specjalnym pomieszczeniu namacalne staj\u0105 si\u0119 r\u00f3\u017cne \u015bcie\u017cki rozwoju dw\u00f3ch artyst\u00f3w, kt\u00f3rzy byli wa\u017cni dla styryjskiej sceny artystycznej w okresie powojennym: Hannesa Schwarza (1926-2014) i Gustava Zankla (*1929).<\/p>\n<p>Inne dzie\u0142a z kolekcji sztuki wsp\u00f3\u0142czesnej s\u0105 zintegrowane z kontekstem innych obszar\u00f3w muzeum.<\/p>\n<p>\u00a0<\/p>\n<p>Z utworami autorstwa: <em>Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Guillaume Bru\u00e8re, Adi Brunner, Hannelore Demel-Lerchster, Gunter Damisch, Johannes Deutsch, Christian Eisenberger, Manfred Erjautz, Bruno Gironcoli, Maria Hahnenkamp, Julie Hayward, Michael Horsky, Dieter Huber, Lisa Huber, Judith Huemer, Nikola Irmer, Jakob Kaschauer, Alfred Klinkan, Sebastian K\u00f6pcke, Brigitte Kowanz, Christoph Lingg, Rudi Molacek, Alois Mosbacher, Tobias Pils, Lois Renner, Arnulf Rainer, Hubert Scheibl, Eva Schlegel, Hubert Schmalix, Ruth Schnell, Hannes Schwarz, Deborah Sengl, Josef Stammel, Norbert Trummer, Peter Unterthurner, Walter Vopava, Volker Weinhold, Franz West, Heidrun Widmoser, Erwin Wurm, Gustav Zankl, Klaus-Dieter Zimmer, Otto Zitko<\/em><\/p>\n<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\n\t<div class=\"firepress-content__box firepress-content__box--two\">\n\n\t\t\t\t\t<div class=\"firepress-content__media\" data-firepress-sticky>\n\t\t\t\t<figure class=\"firepress-content__figure\">\n\t\t\t\t\t<img width=\"1024\" height=\"683\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1024x683.jpg\" class=\"firepress-content__image\" alt=\"Opactwo Admont GWK Gustav Zankl \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/>\n\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t<\/div>\n\n\t\t\t<\/div>\n\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t<\/section>\n\n\n\n\t<section class=\"firepress-section firepress-image-slider\"\n\t\tdata-firepress-image-slider\n\t\tdata-firepress-lightbox-group>\n\n\t\t<div class=\"firepress-image-slider__inner\">\n\t\t\t<div class=\"firepress-image-slider__viewport\">\n\t\t\t\t<div class=\"firepress-image-slider__track\">\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Opactwo Admont GWK widok z naro\u017cnika \u00a9 Michael Braunsteiner\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-300x200.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-1024x683.jpg 1024w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-1536x1024.jpg 1536w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-2048x1366.jpg 2048w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-18x12.jpg 18w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Eckblick-\u00a9-Michael-Braunsteiner-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide firepress-image-slider__slide--tall\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"1152\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7-768x1152.jpg\" class=\"firepress-image-slider__image\" alt=\"Opactwo Admont GWK Gustav Zankl \u00a9 Michael Braunsteiner7\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7-768x1152.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Gustav-Zankl-\u00a9-Michael-Braunsteiner7-200x300.jpg 200w, 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https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-300x225.jpg 300w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23-16x12.jpg 16w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Gegenwartskunst_c-Thomas_Sattler_23.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-2-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-\u00a9-Michael-Braunsteiner-2-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Opactwo Admont GWK Madonna Kaschauer \u00a9 Michael 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(max-width: 768px) 100vw, 768px\" \/>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Julie-Hayward-\u00a9-Michael-Braunsteiner-1-1920x1264.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"506\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Julie-Hayward-\u00a9-Michael-Braunsteiner-1-768x506.jpg\" class=\"firepress-image-slider__image\" alt=\"Opactwo Admont GWK Julie Hayward \u00a9 Michael Braunsteiner 1\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Julie-Hayward-\u00a9-Michael-Braunsteiner-1-768x506.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Julie-Hayward-\u00a9-Michael-Braunsteiner-1-300x198.jpg 300w, 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class=\"firepress-image-slider__slide\"\n\t\t\t\t\t\t\tdata-firepress-lightbox\n\t\t\t\t\t\t\tdata-full=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-Guillaume-Bruere-\u00a9-Michael-Braunsteiner-1-1920x1280.jpg\">\n\t\t\t\t\t\t\t<div class=\"firepress-image-slider__media\">\n\t\t\t\t\t\t\t\t<img width=\"768\" height=\"512\" src=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-Guillaume-Bruere-\u00a9-Michael-Braunsteiner-1-768x512.jpg\" class=\"firepress-image-slider__image\" alt=\"Opactwo Admont GWK Madonna Kaschauer Guillaume Bruere \u00a9 Michael Braunsteiner 1\" loading=\"lazy\" decoding=\"async\" srcset=\"https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-Guillaume-Bruere-\u00a9-Michael-Braunsteiner-1-768x512.jpg 768w, https:\/\/stiftadmont.at\/wp-content\/uploads\/Stift-Admont-GWK-Madonna-Kaschauer-Guillaume-Bruere-\u00a9-Michael-Braunsteiner-1-300x200.jpg 300w, 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